12/18/2023 0 Comments Zither music chinese![]() ![]() Normally one or two members will present their choice of music, usually on CD, sometimes on gramophone, although some members are happy just to listen and enjoy the music being played. Meetings of the Gramophone Society are held on alternate Tuesdays at 8pm in The Knights of Columbanus Building, St Mary's Place. This included a screening of a video made by American man Ward Marston who produced the electric edition and worked on it for 20 years. Over the intervening years the group has broadened out from just classical music to an appreciation of all genres, and it is open to anyone with an interest in, and love of good music, whether the individual's preference is for classical, jazz, swing, traditional or country.Ī highlight of the 2019 season was the society hosting a celebratory evening at Athlone Little Theatre to mark the launch of the Electric Edition of Count John McCormack's 1925 - 1945 remastered recordings on 16 CDs. In the early years classical music was mainly played by the Gramophone Society. That was a memorable year for the arts in Athlone as the All Ireland Amateur Drama Festival was also established then. They were the late Frances O'Regan, Nuala Hyland and the late Dan Costello. The video also featured music by the New Orleans street jazz band.Īthlone Gramophone Society grew from humble beginnings in 1953 when three friends from the Income Tax Office came together and started a new society. ![]() Ivan also presented an interesting video on different styles of music featuring unusual instruments such as Chinese hand chimes and Guzheng, the Chinese plucked zither. Some of the highlights of the evening included three beautifully presented music recitals performed by long standing members, Nora Curran, Mary McLoughlin and Ivan Merrick. The event was attended by a great mix of past and present members, along with some well-known Athlone dignitaries and twelve members of Tullamore Gramophone Society. Secretary of the Athlone Gramophone Society Helga Raesfeldt-Mings said she was “very happy” with how the celebration went and that the lovely event was enjoyed by all who attended. The event encompassed a big party, finger food for attendees and music by the local Gramophone Society's members. This book is accompanied by downloadable resources which contain audio visual materials relating to the author's fieldwork and zheng performances by different zheng musicians.The Athlone Gramophone Society celebrated its 70th Anniversary in the Radisson Blu Hotel in Athlone on Thursday, November 2. ![]() As an insider to the tradition, brought up within China's zheng society, a trained and practising zheng performer, this study is largely drawn from the author's own experiences of practising and performing the music in question her study also draws on fieldwork, as well as primary and secondary written sources in Chinese and English. This work arises out of, and reflects on, the research methodologies known as performance as research. Through a series of case studies, this book explores how the transformation of the Chinese zheng has constantly responded to its changing social context, critiquing the long-standing arguments concerning 'authenticity' in the development of tradition. With the 'opening up' of China's economy since the 1980s, the zheng has been brought into the wider stage of international music-making which includes contemporary art music compositions by overseas based Chinese composers and commercial world music works by Western composers. From this basis, a large new zheng repertory was created by conservatory musicians, combining aspects of Western classical music with folk music materials. Over the course of the twentieth century, these regional folk repertories were brought into the performance traditions of modern regional zheng schools. Since the setting up of China's modern conservatories, the zheng has been transformed within these new contexts of professional music-making. But in fact, much of its contemporary solo repertory is derived from several different regional folk ensemble repertories of the mid-twentieth century. It is commonly regarded as a solo instrument with a continuous tradition dating back to ancient times. The zheng zither is one of the most popular instruments in contemporary China. ![]()
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